Original Rebel - Original Mix
30s preview
- BPM
- 125
- Open Key
- 6m
- Energy
- 97/100
- Pop
- 8/100
- Length
- 6:43
- Released
- 2018
- Album
- Original Rebel EP
- Genre
- Tech House
- Label
- Toolroom Records
- Loudness
- -5.9 dB
- Dynamics
- 11.2 dB
- ISRC
- GBJAJ1801808
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Original Rebeloriginal2B · 125
At 125 BPM in A♭ minor (1A), Original Rebel - Original Mix is a club-tempo tech house production. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2018 production that still circulates in sets. Better known than 86% of Wheats's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 83% of Wheats's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Original Rebel - Original Mix in?
Original Rebel - Original Mix by Wheats is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Original Rebel - Original Mix?
Original Rebel - Original Mix runs at 125 BPM, a club-tempo track.
What mixes well with Original Rebel - Original Mix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Original Rebel - Original Mix good for peak time?
With energy 97 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 125 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Wheats
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
