Dirty Blonde
- Key
- 1B · B major
- BPM
- 133
- Open Key
- 6d
- Energy
- 99/100
- Pop
- 27/100
- Length
- 3:27
- Released
- 2023
- Genre
- Tech House
- Loudness
- -4.3 dB
- ISRC
- NLZ542301677
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Dirty Blonde: peak-time tempo tech house, B major (1B), 133 BPM. The mix is almost entirely instrumental. The master is loud and heavily compressed. Darker than 99% of Westend's catalogue.
- Tempo:
- faster than 98% of Westend's catalogue
- Energy:
- hotter than 95% of Westend's catalogue
- Groove:
- less groove-driven than 91% of Westend's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Dirty Blonde in?
Dirty Blonde by Westend is in B major, or 1B on the Camelot wheel.
What BPM is Dirty Blonde?
Dirty Blonde runs at 133 BPM, a peak-time tempo track.
What mixes well with Dirty Blonde?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Dirty Blonde good for peak time?
With energy 99 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 133 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More tech house
More from Westend
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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