Think Tank
- BPM
- 124
- Open Key
- 7m
- Energy
- 61/100
- Pop
- 3/100
- Length
- 6:29
- Released
- 2013
- Genre
- Techno
- Loudness
- -8.0 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo techno cut, Think Tank sits in E♭ minor (2A) at 124 BPM. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. Groovier than 98% of Wehbba's catalogue.
- Energy:
- calmer than 93% of Wehbba's catalogue
- Tempo:
- slower than 88% of Wehbba's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Think Tank in?
Think Tank by Wehbba is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Think Tank?
Think Tank runs at 124 BPM, a club-tempo track.
What mixes well with Think Tank?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Think Tank good for peak time?
With energy 61 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 124 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Wehbba
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
