Up All Night
- BPM
- 124
- Open Key
- 3m
- Energy
- 60/100
- Pop
- 0/100
- Length
- 4:48
- Released
- 2013
- Genre
- House
- Loudness
- -9.5 dB
- ISRC
- GBYDN1302512
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, Up All Night sits in B minor (10A) at 124 BPM. It reads as balanced in mood. Rhythmically it is built for the dancefloor. It is vocal-led. A 2013 production that still circulates in sets. Groovier than 99% of Low Steppa's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Low Steppa's catalogue
- Energy:
- calmer than 96% of Low Steppa's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Up All Night in?
Up All Night by Low Steppa is in B minor, or 10A on the Camelot wheel.
What BPM is Up All Night?
Up All Night runs at 124 BPM, a club-tempo track.
What mixes well with Up All Night?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Up All Night good for peak time?
With energy 60 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Low Steppa
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
