Sectioned
- Key
- 9B · G major
- BPM
- 172
- Half-time
- 86
- Open Key
- 2d
- Energy
- 80/100
- Pop
- 0/100
- Length
- 5:38
- Released
- 2017
- Album
- Vision
- Genre
- Drum N Bass
- Loudness
- -4.2 dB
- ISRC
- GB8KE1651808
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Sectioned: drum n bass, G major (9B), 172 BPM. The master is loud and heavily compressed. A 2017 production that still circulates in sets. More underground than 99% of Turno's catalogue. In a set it works best as a floor-filler.
- Energy:
- calmer than 92% of Turno's catalogue
- Groove:
- groovier than 92% of Turno's catalogue
- Brightness:
- brighter than 81% of Turno's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sectioned in?
Sectioned by Turno is in G major, or 9B on the Camelot wheel.
What BPM is Sectioned?
Sectioned runs at 172 BPM.
What mixes well with Sectioned?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Sectioned good for peak time?
With energy 80 out of 100 at 172 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 172 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Turno
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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