OH SHIT by Turno cover art

OH SHIT

Turno

30s preview

Key
3A · B♭ minor
BPM
88
Double-time
176
Open Key
8m
Energy
98/100
Pop
35/100
Length
2:14
Released
2024
Genre
Drum N Bass
Loudness
0.5 dB
Dynamics
11.1 dB
ISRC
NL8RL2407904

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

OH SHIT: downtempo drum n bass, B♭ minor (3A), 88 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 94% of Turno's catalogue. For programming, treat it as an opener or closing-set piece.

Tempo:
slower than 88% of Turno's catalogue
Groove:
groovier than 86% of Turno's catalogue
Low end:
more bass-heavy than 81% of Turno's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood47Balanced
Groove70
Acoustic2
Instrumental0
Live31
Speech31

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is OH SHIT in?

OH SHIT by Turno is in B♭ minor, or 3A on the Camelot wheel.

What BPM is OH SHIT?

OH SHIT runs at 88 BPM, a downtempo track.

What mixes well with OH SHIT?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is OH SHIT good for peak time?

With energy 98 out of 100 at 88 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 88 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 83-93 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 88 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Turno

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 88 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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