This Is The Sound - Extended
- Key
- 9B · G major
- BPM
- 126
- Open Key
- 2d
- Energy
- 98/100
- Pop
- 19/100
- Length
- 6:08
- Released
- 2022
- Album
- This Is the Sound
- Genre
- House
- Label
- Hot Creations
- Loudness
- -5.1 dB
- ISRC
- GBK6Y2219802
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- This Is The Soundoriginal8A · 126
Against the original (8A at 126 BPM), this version holds the same tempo and moves the key from 8A to 9B.
At 126 BPM in G major (9B), This Is The Sound - Extended is a club-tempo house production. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. Hotter than 96% of Todd Terry's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 95% of Todd Terry's catalogue
- Groove:
- groovier than 79% of Todd Terry's catalogue
- Tempo:
- faster than 77% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is This Is The Sound - Extended in?
This Is The Sound - Extended by Todd Terry is in G major, or 9B on the Camelot wheel.
What BPM is This Is The Sound - Extended?
This Is The Sound - Extended runs at 126 BPM, a club-tempo track.
What mixes well with This Is The Sound - Extended?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is This Is The Sound - Extended good for peak time?
With energy 98 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 126 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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