Music Never Stops - Edit
30s preview
- Key
- 1B · B major
- BPM
- 125
- Open Key
- 6d
- Energy
- 90/100
- Pop
- 10/100
- Length
- 3:20
- Released
- 2018
- Album
- Music Never Stops
- Genre
- House
- Loudness
- -8.2 dB
- Dynamics
- 11.2 dB
- ISRC
- USMKQ1800097
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Music Never Stops (InHouse Radio 032)version3B · 124
- Music Never Stops - Extended Inhouse Mixversion10A · 125
Music Never Stops - Edit is a club-tempo house track in B major (1B) at 125 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2018 production that still circulates in sets. Better known than 89% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 85% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Music Never Stops - Edit in?
Music Never Stops - Edit by Todd Terry is in B major, or 1B on the Camelot wheel.
What BPM is Music Never Stops - Edit?
Music Never Stops - Edit runs at 125 BPM, a club-tempo track.
What mixes well with Music Never Stops - Edit?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Music Never Stops - Edit good for peak time?
With energy 90 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 125 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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