How Else (feat. Rich The Kid & ILoveMakonnen) - Todd Terry Remix by Todd Terry cover art

How Else (feat. Rich The Kid & ILoveMakonnen) - Todd Terry Remix

Todd Terry

30s preview

Key
3B · D♭ major
BPM
126
Open Key
8d
Energy
91/100
Pop
1/100
Length
2:55
Released
2020
Album
How Else (feat. Rich The Kid & ILoveMakonnen) [Todd Terry Remix]
Genre
House
Loudness
-8.7 dB
Dynamics
12.1 dB
ISRC
USUS11900569
Explicit
Yes

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 126 BPM in D♭ major (3B), How Else (feat. Rich The Kid & ILoveMakonnen) - Todd Terry Remix is a club-tempo house production. The feel is dark and driving. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Groovier than 85% of Todd Terry's catalogue.

Brightness:
darker than 78% of Todd Terry's catalogue
Tempo:
faster than 77% of Todd Terry's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood34Balanced
Groove83
Acoustic0
Instrumental7
Live38
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is How Else (feat. Rich The Kid & ILoveMakonnen) - Todd Terry Remix in?

How Else (feat. Rich The Kid & ILoveMakonnen) - Todd Terry Remix by Todd Terry is in D♭ major, or 3B on the Camelot wheel.

What BPM is How Else (feat. Rich The Kid & ILoveMakonnen) - Todd Terry Remix?

How Else (feat. Rich The Kid & ILoveMakonnen) - Todd Terry Remix runs at 126 BPM, a club-tempo track.

What mixes well with How Else (feat. Rich The Kid & ILoveMakonnen) - Todd Terry Remix?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is How Else (feat. Rich The Kid & ILoveMakonnen) - Todd Terry Remix good for peak time?

With energy 91 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 91/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More house

More from Todd Terry

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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