Hold It Now by Todd Terry cover art

Hold It Now

Todd Terry

30s preview

Key
11B · A major
BPM
122
Open Key
4d
Energy
97/100
Pop
0/100
Length
7:07
Released
2015
Genre
House
Loudness
-7.5 dB
Dynamics
11.3 dB
ISRC
USMKQ1500041

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 122 BPM in A major (11B), Hold It Now is a club-tempo house production. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2015 production that still circulates in sets. More underground than 99% of Todd Terry's catalogue. In a set it works best as a floor-filler.

Energy:
hotter than 94% of Todd Terry's catalogue
Tempo:
slower than 94% of Todd Terry's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood61Balanced
Groove81
Acoustic0
Instrumental91
Live6
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Hold It Now in?

Hold It Now by Todd Terry is in A major, or 11B on the Camelot wheel.

What BPM is Hold It Now?

Hold It Now runs at 122 BPM, a club-tempo track.

What mixes well with Hold It Now?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is Hold It Now good for peak time?

With energy 97 out of 100 at 122 BPM, it works best as a floor-filler.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

#TrackKey·BPM

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 122 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

More from Todd Terry

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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