Empty Skies - Techno Edit by Tinlicker cover art

Empty Skies - Techno Edit

Tinlicker

Key
8A · A minor
BPM
124
Open Key
1m
Energy
80/100
Pop
2/100
Length
5:48
Released
2013
Album
Empty Skies (feat. Tessa Rose Jackson)
Genre
Progressive House
Loudness
-6.3 dB
ISRC
USA2P1306029

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (8A at 124 BPM), this version holds the same tempo in the same key.

A club-tempo progressive house cut, Empty Skies - Techno Edit sits in A minor (8A) at 124 BPM. A 2013 production that still circulates in sets. More underground than 83% of Tinlicker's catalogue.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood8Dark
Groove57
Acoustic8
Instrumental56
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Empty Skies - Techno Edit in?

Empty Skies - Techno Edit by Tinlicker is in A minor, or 8A on the Camelot wheel.

What BPM is Empty Skies - Techno Edit?

Empty Skies - Techno Edit runs at 124 BPM, a club-tempo track.

What mixes well with Empty Skies - Techno Edit?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Empty Skies - Techno Edit good for peak time?

With energy 80 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 124 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 80/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More progressive house

More from Tinlicker

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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