We Thought - Borrowed Identity Ibiza Mix
30s preview
- BPM
- 124
- Open Key
- 3d
- Energy
- 73/100
- Pop
- 0/100
- Length
- 6:15
- Released
- 2015
- Album
- We Thought
- Genre
- House
- Label
- Disc Over Music
- Loudness
- -13.3 dB
- Dynamics
- 11.4 dB
- ISRC
- DEKB71435773
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Thoughtoriginal6B · 120
We Thought - Borrowed Identity Ibiza Mix runs 124 BPM in D major (10B), a club-tempo house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2015 production that still circulates in sets. More underground than 99% of Tim Green's catalogue.
- Low end:
- more bass-heavy than 87% of Tim Green's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is We Thought - Borrowed Identity Ibiza Mix in?
We Thought - Borrowed Identity Ibiza Mix by Tim Green is in D major, or 10B on the Camelot wheel.
What BPM is We Thought - Borrowed Identity Ibiza Mix?
We Thought - Borrowed Identity Ibiza Mix runs at 124 BPM, a club-tempo track.
What mixes well with We Thought - Borrowed Identity Ibiza Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is We Thought - Borrowed Identity Ibiza Mix good for peak time?
With energy 73 out of 100 at 124 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 124 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Tim Green
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
