State of Uncertainty
30s preview
- Key
- 7A · D minor
- BPM
- 124
- Open Key
- 12m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 5:12
- Released
- 2013
- Album
- Another Day Another Soul Ep
- Genre
- House
- Loudness
- -13.2 dB
- Dynamics
- 11.6 dB
- ISRC
- DEBL61315264
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
State of Uncertainty runs 124 BPM in D minor (7A), a club-tempo house record. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More underground than 99% of Tilman's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 98% of Tilman's catalogue
- Low end:
- more bass-heavy than 98% of Tilman's catalogue
- Energy:
- calmer than 85% of Tilman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is State of Uncertainty in?
State of Uncertainty by Tilman is in D minor, or 7A on the Camelot wheel.
What BPM is State of Uncertainty?
State of Uncertainty runs at 124 BPM, a club-tempo track.
What mixes well with State of Uncertainty?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is State of Uncertainty good for peak time?
With energy 64 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 124 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Tilman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
