No Memory From Yesterday
- Key
- 8A · A minor
- BPM
- 125
- Open Key
- 1m
- Energy
- 66/100
- Pop
- 57/100
- Length
- 2:20
- Released
- 2010
- Genre
- Trance
- Loudness
- -5.9 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
No Memory From Yesterday is a club-tempo trance track in A minor (8A) at 125 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. A 2010 production that still circulates in sets. Calmer than 94% of Tiësto's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- better known than 92% of Tiësto's catalogue
- Tempo:
- slower than 78% of Tiësto's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is No Memory From Yesterday in?
No Memory From Yesterday by Tiësto is in A minor, or 8A on the Camelot wheel.
What BPM is No Memory From Yesterday?
No Memory From Yesterday runs at 125 BPM, a club-tempo track.
What mixes well with No Memory From Yesterday?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is No Memory From Yesterday good for peak time?
With energy 66 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 125 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More trance
More from Tiësto
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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