
Chapter 6 of 9
- BPM
- 170
- Half-time
- 85
- Open Key
- 3d
- Energy
- 91/100
- Pop
- 3/100
- Length
- 2:49
- Released
- 2015
- Album
- Burn by Tiësto (170)
- Genre
- Trance
- Loudness
- -4.8 dB
- ISRC
- CYA111700213
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Chapter 6 of 9original8B · 140
- Chapter 6 of 9original7A · 160
- Chapter 6 of 9original10B · 175
- Chapter 6 of 9original10B · 180
- Chapter 6 of 9original10B · 95
- Chapter 6 of 9original7A · 145
Chapter 6 of 9: very fast trance, D major (10B), 170 BPM. The feel is dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2015 production that still circulates in sets. Faster than 94% of Tiësto's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 84% of Tiësto's catalogue
- Brightness:
- darker than 84% of Tiësto's catalogue
- Reach:
- more underground than 76% of Tiësto's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Chapter 6 of 9 in?
Chapter 6 of 9 by Tiësto is in D major, or 10B on the Camelot wheel.
What BPM is Chapter 6 of 9?
Chapter 6 of 9 runs at 170 BPM, a very fast track.
What mixes well with Chapter 6 of 9?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Chapter 6 of 9 good for peak time?
With energy 91 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 170 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More trance
More from Tiësto
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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