Alaska - Teenage Mutants Remix
- BPM
- 121
- Open Key
- 3m
- Energy
- 42/100
- Pop
- 0/100
- Length
- 6:29
- Released
- 2016
- Album
- Form / Void
- Genre
- Tech House
- Loudness
- -9.5 dB
- ISRC
- DEUE11668580
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Alaskaoriginal10B · 119
Against the original (10B at 119 BPM), this version runs 2 BPM faster and moves the key from 10B to 10A.
A club-tempo tech house cut, Alaska - Teenage Mutants Remix sits in B minor (10A) at 121 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2016 production that still circulates in sets. Groovier than 99% of Third Son's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Third Son's catalogue
- Energy:
- calmer than 96% of Third Son's catalogue
- Tempo:
- slower than 85% of Third Son's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Alaska - Teenage Mutants Remix in?
Alaska - Teenage Mutants Remix by Third Son is in B minor, or 10A on the Camelot wheel.
What BPM is Alaska - Teenage Mutants Remix?
Alaska - Teenage Mutants Remix runs at 121 BPM, a club-tempo track.
What mixes well with Alaska - Teenage Mutants Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Alaska - Teenage Mutants Remix good for peak time?
With energy 42 out of 100 at 121 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 121 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More tech house
More from Third Son
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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