Synthetic Flemm
30s preview
- BPM
- 121
- Open Key
- 8m
- Energy
- 57/100
- Pop
- 0/100
- Length
- 5:16
- Released
- 2007
- Genre
- Deep House
- Loudness
- -17.6 dB
- Dynamics
- 20.6 dB
- ISRC
- DEZ651204981
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Synthetic Flemm is a club-tempo deep house track in B♭ minor (3A) at 121 BPM. Tonally it lands bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 21 dB). A 2007 production that still circulates in sets. More underground than 99% of Theo Parrish's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 97% of Theo Parrish's catalogue
- Tempo:
- faster than 79% of Theo Parrish's catalogue
- Groove:
- groovier than 79% of Theo Parrish's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 24%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Synthetic Flemm in?
Synthetic Flemm by Theo Parrish is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Synthetic Flemm?
Synthetic Flemm runs at 121 BPM, a club-tempo track.
What mixes well with Synthetic Flemm?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Synthetic Flemm good for peak time?
With energy 57 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 121 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More deep house
More from Theo Parrish
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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