Bangla - Lars Moston Remix
30s preview
- BPM
- 127
- Open Key
- 3m
- Energy
- 61/100
- Pop
- 0/100
- Length
- 4:55
- Released
- 2011
- Album
- Bangla
- Genre
- House
- Label
- Discobelle Records
- Loudness
- -11.1 dB
- Dynamics
- 12.6 dB
- ISRC
- DEZ651107446
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bangla - The Coconut Wireless Remixremix9A · 120
- Bangla - Original Mixoriginal3B · 127
- Bangla - Slap in the Bass Remixremix9B · 133
Against the original (3B at 127 BPM), this version holds the same tempo and moves the key from 3B to 10A.
Bangla - Lars Moston Remix runs 127 BPM in B minor (10A), a peak-time tempo house record. It reads as dark and driving. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2011 production that still circulates in sets. More underground than 99% of Teenage Mutants's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 97% of Teenage Mutants's catalogue
- Energy:
- calmer than 88% of Teenage Mutants's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Bangla - Lars Moston Remix in?
Bangla - Lars Moston Remix by Teenage Mutants is in B minor, or 10A on the Camelot wheel.
What BPM is Bangla - Lars Moston Remix?
Bangla - Lars Moston Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Bangla - Lars Moston Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Bangla - Lars Moston Remix good for peak time?
With energy 61 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Teenage Mutants
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
