Two Hours or Something
30s preview
- BPM
- 98
- Double-time
- 196
- Open Key
- 8d
- Energy
- 75/100
- Pop
- 2/100
- Length
- 10:30
- Released
- 2024
- Album
- Two Hours Or Something
- Genre
- Ambient
- Loudness
- -11.7 dB
- Dynamics
- 15.9 dB
- ISRC
- NLCF82400107
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Two Hours or Something is a slow-groove tempo ambient track in D♭ major (3B) at 98 BPM. Tonally it lands dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). Slower than 95% of Surgeon's catalogue. In a set it works best as an opener or closing-set piece.
- Energy:
- calmer than 80% of Surgeon's catalogue
- Brightness:
- darker than 79% of Surgeon's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Two Hours or Something in?
Two Hours or Something by Surgeon is in D♭ major, or 3B on the Camelot wheel.
What BPM is Two Hours or Something?
Two Hours or Something runs at 98 BPM, a slow-groove tempo track.
What mixes well with Two Hours or Something?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Two Hours or Something good for peak time?
With energy 75 out of 100 at 98 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![Halo [Breathe] by Fejká cover art](https://i.scdn.co/image/ab67616d00001e0254135e22d08197a1de277d24){kind=small}
How to mix it
In 3B at 98 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 92-104 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 98 — beatmatch without a big tempo pull.
More ambient
More from Surgeon
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 98 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
