Puck by Stephan Bodzin cover art
Key
11A · F♯ minor
BPM
125
Open Key
4m
Energy
70/100
Pop
2/100
Length
7:45
Released
2007
Genre
Techno
Label
Herzblut Recordings
Loudness
-11.0 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

  • Puckoriginal10B · 125

A club-tempo techno cut, Puck sits in F♯ minor (11A) at 125 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. Groovier than 97% of Stephan Bodzin's catalogue. For programming, treat it as a mid-set roller.

Reach:
more underground than 88% of Stephan Bodzin's catalogue
Brightness:
darker than 80% of Stephan Bodzin's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy70
Mood7Dark
Groove91
Acoustic4
Instrumental89
Live8
Speech19
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Puck in?

Puck by Stephan Bodzin is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Puck?

Puck runs at 125 BPM, a club-tempo track.

What mixes well with Puck?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Puck good for peak time?

With energy 70 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#Track

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 125 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#Track

More techno

More from Stephan Bodzin

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track