Atlas - Adriatique Remix Radio Edit
30s preview
- BPM
- 124
- Open Key
- 4m
- Energy
- 75/100
- Pop
- 25/100
- Length
- 3:59
- Released
- 2016
- Album
- Atlas (Adriatique Remix Radio Edit)
- Genre
- Techno
- Loudness
- -8.8 dB
- Dynamics
- 14.8 dB
- ISRC
- DEPI81601554
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Atlasoriginal11A · 124
- Atlas - Shall Ocin & Artbat Remixremix12A · 126
- Atlasoriginal1B · 125
- Atlas - Andre Lodemann Remixremix4B · 125
- Atlas - Album Editversion1A · 125
- Atlas - Tuff City Kids Remixremix3B · 125
Against the original (11A at 124 BPM), this version holds the same tempo in the same key.
Atlas - Adriatique Remix Radio Edit is a club-tempo techno track in F♯ minor (11A) at 124 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 2016 production that still circulates in sets. Darker than 91% of Stephan Bodzin's catalogue.
- Reach:
- better known than 88% of Stephan Bodzin's catalogue
- Energy:
- hotter than 84% of Stephan Bodzin's catalogue
- Low end:
- more treble-tilted than 81% of Stephan Bodzin's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Atlas - Adriatique Remix Radio Edit in?
Atlas - Adriatique Remix Radio Edit by Stephan Bodzin is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Atlas - Adriatique Remix Radio Edit?
Atlas - Adriatique Remix Radio Edit runs at 124 BPM, a club-tempo track.
What mixes well with Atlas - Adriatique Remix Radio Edit?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Atlas - Adriatique Remix Radio Edit good for peak time?
With energy 75 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 124 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 75/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Stephan Bodzin
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
