Full Circle by Guy Gerber cover art

Full Circle

Guy Gerber

30s preview

Key
8A · A minor
BPM
124
Open Key
1m
Energy
76/100
Pop
21/100
Length
8:17
Released
2016
Genre
Tech House
Loudness
-8.6 dB
Dynamics
10.6 dB
ISRC
CH7531600002

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 124 BPM in A minor (8A), Full Circle is a club-tempo tech house production. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. More bass-heavy than 95% of Guy Gerber's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 89% of Guy Gerber's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood53Balanced
Groove76
Acoustic1
Instrumental66
Live6
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
51%
Low
30-130 Hz
36%
Low-mid
130-570 Hz
13%
Upper-mid
570 Hz-2.5 kHz
0%
High
2.5-11 kHz

FAQ

What key is Full Circle in?

Full Circle by Guy Gerber is in A minor, or 8A on the Camelot wheel.

What BPM is Full Circle?

Full Circle runs at 124 BPM, a club-tempo track.

What mixes well with Full Circle?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Full Circle good for peak time?

With energy 76 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 124 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 76/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More tech house

More from Guy Gerber

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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