Guilty by Soundexile cover art

30s preview

Key
4B · A♭ major
BPM
118
Open Key
9d
Energy
51/100
Pop
8/100
Length
6:57
Released
2024
Genre
Progressive House
Loudness
-13.0 dB
Dynamics
16.4 dB
ISRC
ARHXW2402184

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Guilty is a mid-tempo progressive house track in A♭ major (4B) at 118 BPM. Tonally it lands dark and steady. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). Calmer than 99% of Soundexile's catalogue. In a set it works best as a mid-set roller.

Groove:
less groove-driven than 99% of Soundexile's catalogue
Brightness:
darker than 98% of Soundexile's catalogue
Low end:
more treble-tilted than 98% of Soundexile's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy51
Mood4Dark
Groove38
Acoustic22
Instrumental88
Live12
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
26%
Low
30-130 Hz
51%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
0%
High
2.5-11 kHz

FAQ

What key is Guilty in?

Guilty by Soundexile is in A♭ major, or 4B on the Camelot wheel.

What BPM is Guilty?

Guilty runs at 118 BPM, a mid-tempo track.

What mixes well with Guilty?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Guilty good for peak time?

With energy 51 out of 100 at 118 BPM, it works best as a mid-set roller.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 118 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 118 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track