All Comes Back To You (ASOT 889) - Solarstone Pure Mix
- Key
- 8B · C major
- BPM
- 138
- Open Key
- 1d
- Energy
- 88/100
- Pop
- 1/100
- Length
- 4:35
- Released
- 2018
- Album
- ASOT 889 - A State Of Trance Episode 889 (+XXL Guest Mix: Solarstone)
- Genre
- Trance
- Loudness
- -12.0 dB
- ISRC
- NLF711812990
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All Comes Back to You - Solarstone Pure Mix Expandedoriginal8B · 138
All Comes Back To You (ASOT 889) - Solarstone Pure Mix runs 138 BPM in C major (8B), a driving up-tempo trance record. Tonally it lands dark and driving. It is vocal-led. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Less groove-driven than 86% of Solarstone's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 77% of Solarstone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is All Comes Back To You (ASOT 889) - Solarstone Pure Mix in?
All Comes Back To You (ASOT 889) - Solarstone Pure Mix by Solarstone is in C major, or 8B on the Camelot wheel.
What BPM is All Comes Back To You (ASOT 889) - Solarstone Pure Mix?
All Comes Back To You (ASOT 889) - Solarstone Pure Mix runs at 138 BPM, a driving up-tempo track.
What mixes well with All Comes Back To You (ASOT 889) - Solarstone Pure Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is All Comes Back To You (ASOT 889) - Solarstone Pure Mix good for peak time?
With energy 88 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 138 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
More from Solarstone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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