One For The Heads Who Remember by Skream cover art

One For The Heads Who Remember

Skream

30s preview

Key
8A · A minor
BPM
137
Open Key
1m
Energy
57/100
Pop
9/100
Length
4:45
Released
2008
Album
Skreamizm Vol. 5
Genre
Dubstep
Loudness
-8.6 dB
Dynamics
25.3 dB
ISRC
GBQGW0800145

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

One For The Heads Who Remember is a driving up-tempo dubstep track in A minor (8A) at 137 BPM. The feel is dark and steady. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 25 dB). A 2008 production that still circulates in sets. In a set it works best as a mid-set roller.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy57
Mood18Dark
Groove69
Acoustic2
Instrumental94
Live20
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is One For The Heads Who Remember in?

One For The Heads Who Remember by Skream is in A minor, or 8A on the Camelot wheel.

What BPM is One For The Heads Who Remember?

One For The Heads Who Remember runs at 137 BPM, a driving up-tempo track.

What mixes well with One For The Heads Who Remember?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is One For The Heads Who Remember good for peak time?

With energy 57 out of 100 at 137 BPM, it works best as a mid-set roller.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#TrackKey·BPM

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 137 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 137 — beatmatch without a big tempo pull.

#TrackKey·BPM

More dubstep

#TrackKey·BPM

More from Skream

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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