Harmony In Chaos - Ian O'Donovan Remix
30s preview
- Key
- 9B · G major
- BPM
- 125
- Open Key
- 2d
- Energy
- 70/100
- Pop
- 0/100
- Length
- 7:45
- Released
- 2016
- Album
- Harmony In Chaos
- Genre
- Progressive House
- Loudness
- -10.8 dB
- Dynamics
- 11.4 dB
- ISRC
- GBLV61514116
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Harmony In Chaos - Original Mixoriginal9B · 123
- Harmony In Chaos - Skena Remixremix6A · 123
- Harmony In Chaos - Vince Watson Reshapeoriginal9A · 123
Against the original (9B at 123 BPM), this version runs 2 BPM faster in the same key.
Harmony In Chaos - Ian O'Donovan Remix runs 125 BPM in G major (9B), a club-tempo progressive house record. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2016 production that still circulates in sets. More underground than 99% of Simon Doty's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 94% of Simon Doty's catalogue
- Low end:
- more bass-heavy than 84% of Simon Doty's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Harmony In Chaos - Ian O'Donovan Remix in?
Harmony In Chaos - Ian O'Donovan Remix by Simon Doty is in G major, or 9B on the Camelot wheel.
What BPM is Harmony In Chaos - Ian O'Donovan Remix?
Harmony In Chaos - Ian O'Donovan Remix runs at 125 BPM, a club-tempo track.
What mixes well with Harmony In Chaos - Ian O'Donovan Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Harmony In Chaos - Ian O'Donovan Remix good for peak time?
With energy 70 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
![Dooh Dooh [Mix Cut] - Original Mix by 16BL cover art](https://i.scdn.co/image/ab67616d00001e021b1352a1f6efab0d87cda51d){kind=small}
How to mix it
In 9B at 125 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Simon Doty
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
