Filling the Blanks
30s preview
- BPM
- 122
- Open Key
- 7d
- Energy
- 78/100
- Pop
- 10/100
- Length
- 7:47
- Released
- 2018
- Genre
- Progressive House
- Label
- Einmusika Recordings
- Loudness
- -11.3 dB
- Dynamics
- 10.9 dB
- ISRC
- DEY471880421
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 122 BPM in F♯ major (2B), Filling the Blanks is a club-tempo progressive house production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Slower than 95% of Simon Doty's catalogue.
- Brightness:
- darker than 94% of Simon Doty's catalogue
- Low end:
- more bass-heavy than 92% of Simon Doty's catalogue
- Energy:
- calmer than 84% of Simon Doty's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Filling the Blanks in?
Filling the Blanks by Simon Doty is in F♯ major, or 2B on the Camelot wheel.
What BPM is Filling the Blanks?
Filling the Blanks runs at 122 BPM, a club-tempo track.
What mixes well with Filling the Blanks?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Filling the Blanks good for peak time?
With energy 78 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 122 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Simon Doty
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
