Going Out To The Ravers (feat. Everyone You Know) - Danny Byrd Remix
30s preview
- Key
- 9B · G major
- BPM
- 175
- Half-time
- 88
- Open Key
- 2d
- Energy
- 97/100
- Pop
- 17/100
- Length
- 4:10
- Released
- 2024
- Album
- Going Out To The Ravers (feat. Everyone You Know) [Danny Byrd Remix]
- Genre
- Drum N Bass
- Loudness
- -2.3 dB
- Dynamics
- 11.4 dB
- ISRC
- GBSXS2300331
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Going Out To The Ravers (feat. Everyone You Know)original8A · 88
Against the original (8A at 88 BPM), this version runs 87 BPM faster and moves the key from 8A to 9B.
A drum n bass cut, Going Out To The Ravers (feat. Everyone You Know) - Danny Byrd Remix sits in G major (9B) at 175 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Hotter than 95% of Sigma's catalogue. In a set it works best as an opener or closing-set piece.
- Low end:
- more treble-tilted than 81% of Sigma's catalogue
- Reach:
- better known than 75% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Going Out To The Ravers (feat. Everyone You Know) - Danny Byrd Remix in?
Going Out To The Ravers (feat. Everyone You Know) - Danny Byrd Remix by Sigma is in G major, or 9B on the Camelot wheel.
What BPM is Going Out To The Ravers (feat. Everyone You Know) - Danny Byrd Remix?
Going Out To The Ravers (feat. Everyone You Know) - Danny Byrd Remix runs at 175 BPM.
What mixes well with Going Out To The Ravers (feat. Everyone You Know) - Danny Byrd Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Going Out To The Ravers (feat. Everyone You Know) - Danny Byrd Remix good for peak time?
With energy 97 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 175 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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