City Lights - ozone & Diagnostix Remix
- BPM
- 175
- Half-time
- 88
- Open Key
- 7d
- Energy
- 98/100
- Pop
- 12/100
- Length
- 3:56
- Released
- 2023
- Album
- City Lights (ozone & Diagnostix Remix)
- Genre
- Drum N Bass
- Loudness
- -1.5 dB
- ISRC
- GBSXS2300198
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- City Lightsoriginal2B · 175
Against the original (2B at 175 BPM), this version holds the same tempo in the same key.
City Lights - ozone & Diagnostix Remix runs 175 BPM in F♯ major (2B), a drum n bass record. The feel is dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. The master is loud and heavily compressed. Hotter than 97% of Sigma's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- less groove-driven than 93% of Sigma's catalogue
- Brightness:
- darker than 86% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is City Lights - ozone & Diagnostix Remix in?
City Lights - ozone & Diagnostix Remix by Sigma is in F♯ major, or 2B on the Camelot wheel.
What BPM is City Lights - ozone & Diagnostix Remix?
City Lights - ozone & Diagnostix Remix runs at 175 BPM.
What mixes well with City Lights - ozone & Diagnostix Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is City Lights - ozone & Diagnostix Remix good for peak time?
With energy 98 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 175 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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