
Those People - Original Mix
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 59/100
- Pop
- 0/100
- Length
- 6:07
- Released
- 2015
- Album
- Ragg on EP
- Genre
- Tech House
- Loudness
- -12.8 dB
- Dynamics
- 10.9 dB
- ISRC
- UK6GD1500002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Those People - Original Mix runs 126 BPM in D♭ major (3B), a club-tempo tech house record. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. More underground than 99% of Seb Zito's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 95% of Seb Zito's catalogue
- Energy:
- calmer than 93% of Seb Zito's catalogue
- Brightness:
- darker than 85% of Seb Zito's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 12%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Those People - Original Mix in?
Those People - Original Mix by Seb Zito is in D♭ major, or 3B on the Camelot wheel.
What BPM is Those People - Original Mix?
Those People - Original Mix runs at 126 BPM, a club-tempo track.
What mixes well with Those People - Original Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Those People - Original Mix good for peak time?
With energy 59 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Seb Zito
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.