All I've Got
30s preview
- Key
- 9A · E minor
- BPM
- 121
- Open Key
- 2m
- Energy
- 69/100
- Pop
- 42/100
- Length
- 3:43
- Released
- 2018
- Album
- SOLACE
- Genre
- Synth Pop
- Label
- Rose Avenue
- Loudness
- -7.0 dB
- Dynamics
- 11.1 dB
- ISRC
- USRE11800619
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All I’ve Gotoriginal9A · 127
- All I've Got (Gorje Hewek & Izhevski Remix)remix10A · 121
At 121 BPM in E minor (9A), All I've Got is a club-tempo synth pop production. The feel is dark and driving. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 11 dB). A 2018 production that still circulates in sets. More treble-tilted than 90% of Rufus Du Sol's catalogue. In a set it works best as a mid-set roller.
- Reach:
- better known than 77% of Rufus Du Sol's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is All I've Got in?
All I've Got by Rufus Du Sol is in E minor, or 9A on the Camelot wheel.
What BPM is All I've Got?
All I've Got runs at 121 BPM, a club-tempo track.
What mixes well with All I've Got?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is All I've Got good for peak time?
With energy 69 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 121 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More synth pop
More from Rufus Du Sol
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
