Phase
30s preview
- Key
- 7A · D minor
- BPM
- 122
- Open Key
- 12m
- Energy
- 77/100
- Pop
- 12/100
- Length
- 8:41
- Released
- 2020
- Genre
- Progressive House
- Label
- Lost & Found
- Loudness
- -10.2 dB
- Dynamics
- 14.2 dB
- ISRC
- DEY032002028
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 122 BPM in D minor (7A), Phase is a club-tempo progressive house production. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). More treble-tilted than 89% of Roy Rosenfeld's catalogue. In a set it works best as a floor-filler.
- Reach:
- better known than 82% of Roy Rosenfeld's catalogue
- Tempo:
- slower than 80% of Roy Rosenfeld's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Phase in?
Phase by Roy Rosenfeld is in D minor, or 7A on the Camelot wheel.
What BPM is Phase?
Phase runs at 122 BPM, a club-tempo track.
What mixes well with Phase?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Phase good for peak time?
With energy 77 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
![Lost In My Mind [Original Mix] by Hraach cover art](https://i.scdn.co/image/ab67616d00001e02b24b04f66d7da31b161419c1){kind=small}
How to mix it
In 7A at 122 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Roy Rosenfeld
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
