Overdrive by Rafael Cerato cover art

Overdrive

Rafael Cerato

30s preview

Key
3A · B♭ minor
BPM
124
Open Key
8m
Energy
76/100
Pop
9/100
Length
7:21
Released
2022
Genre
Tech House
Label
Dear Deer Records
Loudness
-7.4 dB
Dynamics
10.4 dB
ISRC
NLRD52200869

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 124 BPM in B♭ minor (3A), Overdrive is a club-tempo tech house production. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 86% of Rafael Cerato's catalogue. In a set it works best as a peak-time weapon.

Brightness:
brighter than 85% of Rafael Cerato's catalogue
Reach:
better known than 78% of Rafael Cerato's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood64Balanced
Groove63
Acoustic0
Instrumental25
Live7
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Overdrive in?

Overdrive by Rafael Cerato is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Overdrive?

Overdrive runs at 124 BPM, a club-tempo track.

What mixes well with Overdrive?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Overdrive good for peak time?

With energy 76 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 76/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More tech house

More from Rafael Cerato

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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