Bliss
30s preview
- Key
- 8B · C major
- BPM
- 126
- Open Key
- 1d
- Energy
- 93/100
- Pop
- 15/100
- Length
- 5:54
- Released
- 2023
- Album
- Step On The Lead EP
- Genre
- Tech House
- Label
- Diynamic Music
- Loudness
- -7.9 dB
- Dynamics
- 9.8 dB
- ISRC
- DEDH72300110
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Bliss is a club-tempo tech house track in C major (8B) at 126 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 87% of Rafael Cerato's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 85% of Rafael Cerato's catalogue
- Tempo:
- faster than 85% of Rafael Cerato's catalogue
- Brightness:
- brighter than 85% of Rafael Cerato's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Bliss in?
Bliss by Rafael Cerato is in C major, or 8B on the Camelot wheel.
What BPM is Bliss?
Bliss runs at 126 BPM, a club-tempo track.
What mixes well with Bliss?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Bliss good for peak time?
With energy 93 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 126 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
![Time After Time (feat. Jessie Ware) [Elliot Adamson Remix] by Franky Wah cover art](https://i.scdn.co/image/ab67616d00001e02ddb6ce60164f10d4ca3bceee){kind=small}
More tech house
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
