Hey Girl - Maywald Radio Edit
30s preview
- BPM
- 122
- Open Key
- 8d
- Energy
- 73/100
- Pop
- 0/100
- Length
- 4:00
- Released
- 2014
- Album
- Hey Girl
- Genre
- Progressive House
- Loudness
- -7.8 dB
- Dynamics
- 13.4 dB
- ISRC
- DEQP21400127
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hey Girloriginal9B · 77
- Hey Girl - Instrumentaloriginal9B · 154
- Hey Girl - Maywald Remixremix3B · 122
- Hey Girl - Pretty Pink Melodic Mixoriginal3A · 124
- Hey Girl - Pretty Pink Melodic Shot Cutoriginal3A · 124
- Hey Girl - Pretty Pink Mixoriginal3A · 120
Against the original (9B at 77 BPM), this version runs 45 BPM faster and moves the key from 9B to 3B.
Hey Girl - Maywald Radio Edit: club-tempo progressive house, D♭ major (3B), 122 BPM. The feel is bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2014 production that still circulates in sets. More underground than 99% of Pretty Pink's catalogue.
- Brightness:
- brighter than 96% of Pretty Pink's catalogue
- Tempo:
- slower than 91% of Pretty Pink's catalogue
- Low end:
- more treble-tilted than 85% of Pretty Pink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Hey Girl - Maywald Radio Edit in?
Hey Girl - Maywald Radio Edit by Pretty Pink is in D♭ major, or 3B on the Camelot wheel.
What BPM is Hey Girl - Maywald Radio Edit?
Hey Girl - Maywald Radio Edit runs at 122 BPM, a club-tempo track.
What mixes well with Hey Girl - Maywald Radio Edit?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Hey Girl - Maywald Radio Edit good for peak time?
With energy 73 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Pretty Pink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
