Here Comes the Sun by Pretty Pink cover art

Here Comes the Sun

Pretty Pink

30s preview

Key
3A · B♭ minor
BPM
122
Open Key
8m
Energy
93/100
Pop
18/100
Length
5:56
Released
2015
Genre
Deep House
Label
Wanderlust Music
Loudness
-5.8 dB
Dynamics
15.0 dB
ISRC
DEVE11600004

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo deep house cut, Here Comes the Sun sits in B♭ minor (3A) at 122 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). A 2015 production that still circulates in sets. Slower than 91% of Pretty Pink's catalogue. In a set it works best as a floor-filler.

Low end:
more treble-tilted than 91% of Pretty Pink's catalogue
Energy:
hotter than 90% of Pretty Pink's catalogue
Reach:
better known than 86% of Pretty Pink's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood30Dark
Groove78
Acoustic3
Instrumental72
Live51
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Here Comes the Sun in?

Here Comes the Sun by Pretty Pink is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Here Comes the Sun?

Here Comes the Sun runs at 122 BPM, a club-tempo track.

What mixes well with Here Comes the Sun?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Here Comes the Sun good for peak time?

With energy 93 out of 100 at 122 BPM, it works best as a floor-filler.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More deep house

More from Pretty Pink

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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