After Ball by Perc cover art

After Ball

Perc

30s preview

Key
9B · G major
BPM
105
Open Key
2d
Energy
69/100
Pop
0/100
Length
5:57
Released
2017
Genre
Industrial
Loudness
-7.2 dB
Dynamics
9.1 dB
ISRC
GBUNP1700810

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A mid-tempo industrial cut, After Ball sits in G major (9B) at 105 BPM. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More underground than 99% of Perc's catalogue. For programming, treat it as a mid-set roller.

Groove:
less groove-driven than 98% of Perc's catalogue
Tempo:
slower than 93% of Perc's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy69
Mood6Dark
Groove15
Acoustic1
Instrumental4
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
25%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is After Ball in?

After Ball by Perc is in G major, or 9B on the Camelot wheel.

What BPM is After Ball?

After Ball runs at 105 BPM, a mid-tempo track.

What mixes well with After Ball?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is After Ball good for peak time?

With energy 69 out of 100 at 105 BPM, it works best as a mid-set roller.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 105 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 99-111 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 105 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 105 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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