Partner in Crime by I Hate Models cover art

Partner in Crime

I Hate Models

30s preview

Key
8B · C major
BPM
114
Open Key
1d
Energy
73/100
Pop
6/100
Length
5:52
Released
2019
Genre
Industrial
Loudness
-7.7 dB
Dynamics
11.0 dB
ISRC
GBUNP1901007

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Partner in Crime is a mid-tempo industrial track in C major (8B) at 114 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Slower than 98% of I Hate Models's catalogue.

Groove:
groovier than 95% of I Hate Models's catalogue
Energy:
calmer than 89% of I Hate Models's catalogue
Reach:
more underground than 84% of I Hate Models's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy73
Mood7Dark
Groove67
Acoustic0
Instrumental59
Live13
Speech31

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Partner in Crime in?

Partner in Crime by I Hate Models is in C major, or 8B on the Camelot wheel.

What BPM is Partner in Crime?

Partner in Crime runs at 114 BPM, a mid-tempo track.

What mixes well with Partner in Crime?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Partner in Crime good for peak time?

With energy 73 out of 100 at 114 BPM, it works best as a mid-set roller.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#Track

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 114 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 114 — beatmatch without a big tempo pull.

#Track

More industrial

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More from I Hate Models

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track