![Too Much Data - Patrick Topping Remix [Radio Edit] by Patrick Topping cover art](https://i.scdn.co/image/ab67616d00001e02594c06d793b07ffbcfdf70ba)
Too Much Data - Patrick Topping Remix [Radio Edit]
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 87/100
- Pop
- 0/100
- Length
- 3:23
- Released
- 2019
- Album
- Too Much Data
- Genre
- Tech House
- Loudness
- -10.4 dB
- Dynamics
- 11.3 dB
- ISRC
- UK34N1800175
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Too Much Data - Patrick Topping Remixremix10A · 128
Too Much Data - Patrick Topping Remix [Radio Edit] is a peak-time tempo tech house track in B minor (10A) at 128 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Patrick Topping's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Too Much Data - Patrick Topping Remix [Radio Edit] in?
Too Much Data - Patrick Topping Remix [Radio Edit] by Patrick Topping is in B minor, or 10A on the Camelot wheel.
What BPM is Too Much Data - Patrick Topping Remix [Radio Edit]?
Too Much Data - Patrick Topping Remix [Radio Edit] runs at 128 BPM, a peak-time tempo track.
What mixes well with Too Much Data - Patrick Topping Remix [Radio Edit]?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Too Much Data - Patrick Topping Remix [Radio Edit] good for peak time?
With energy 87 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Patrick Topping
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
