Frisk - Extended Mix
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 89/100
- Pop
- 8/100
- Length
- 7:27
- Released
- 2020
- Album
- Frisk
- Genre
- Techno
- Label
- KMS
- Loudness
- -7.6 dB
- Dynamics
- 9.5 dB
- ISRC
- NLF712000089
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Friskoriginal3B · 128
- Frisk - Justin Cholewski Extended Remixremix3B · 126
- Frisk - Justin Cholewski Remixremix3B · 126
Against the original (3B at 128 BPM), this version holds the same tempo in the same key.
A peak-time tempo techno cut, Frisk - Extended Mix sits in D♭ major (3B) at 128 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 99% of Patrick Topping's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 77% of Patrick Topping's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Frisk - Extended Mix in?
Frisk - Extended Mix by Patrick Topping is in D♭ major, or 3B on the Camelot wheel.
What BPM is Frisk - Extended Mix?
Frisk - Extended Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Frisk - Extended Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Frisk - Extended Mix good for peak time?
With energy 89 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Patrick Topping
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
