Check the Boogie - Owain K Second Shift Remix by Pablo Fierro cover art

Check the Boogie - Owain K Second Shift Remix

Pablo Fierro

30s preview

Key
3A · B♭ minor
BPM
122
Open Key
8m
Energy
71/100
Pop
0/100
Length
6:29
Released
2010
Album
Check the Boogie, Pt. 1
Genre
Deep House
Loudness
-8.9 dB
Dynamics
11.8 dB
ISRC
USAQN1037003

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 125 BPM), this version runs 3 BPM slower and moves the key from 9B to 3A.

At 122 BPM in B♭ minor (3A), Check the Boogie - Owain K Second Shift Remix is a club-tempo deep house production. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2010 production that still circulates in sets. More underground than 99% of Pablo Fierro's catalogue. For programming, treat it as a floor-filler.

Groove:
less groove-driven than 85% of Pablo Fierro's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy71
Mood48Balanced
Groove73
Acoustic6
Instrumental92
Live12
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Check the Boogie - Owain K Second Shift Remix in?

Check the Boogie - Owain K Second Shift Remix by Pablo Fierro is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Check the Boogie - Owain K Second Shift Remix?

Check the Boogie - Owain K Second Shift Remix runs at 122 BPM, a club-tempo track.

What mixes well with Check the Boogie - Owain K Second Shift Remix?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Check the Boogie - Owain K Second Shift Remix good for peak time?

With energy 71 out of 100 at 122 BPM, it works best as a floor-filler.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

#TrackKey·BPM

More deep house

More from Pablo Fierro

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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