Ride On the Rhythm (Funky '92 Re-Edit)
- Key
- 9A · E minor
- BPM
- 122
- Open Key
- 2m
- Energy
- 70/100
- Pop
- 13/100
- Length
- 7:26
- Released
- 2020
- Album
- Ride On the Rhythm (Remixes)
- Genre
- House
- Loudness
- -12.2 dB
- ISRC
- USAT22005060
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ride On the Rhythm - Masters at Work Dub Mixversion9A · 122
- Ride on the Rhythmoriginal9A · 122
- Ride On the Rhythm - Kenlou Rhythm Mixoriginal9A · 122
- Ride On the Rhythm - Funky Mixoriginal9A · 122
Against the original (9A at 122 BPM), this version holds the same tempo in the same key.
Ride On the Rhythm (Funky '92 Re-Edit): club-tempo house, E minor (9A), 122 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. The master keeps real dynamic headroom. Better known than 85% of Louie Vega's catalogue.
- Tempo:
- slower than 84% of Louie Vega's catalogue
- Groove:
- less groove-driven than 76% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Ride On the Rhythm (Funky '92 Re-Edit) in?
Ride On the Rhythm (Funky '92 Re-Edit) by Louie Vega is in E minor, or 9A on the Camelot wheel.
What BPM is Ride On the Rhythm (Funky '92 Re-Edit)?
Ride On the Rhythm (Funky '92 Re-Edit) runs at 122 BPM, a club-tempo track.
What mixes well with Ride On the Rhythm (Funky '92 Re-Edit)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Ride On the Rhythm (Funky '92 Re-Edit) good for peak time?
With energy 70 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 122 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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