Rotar (original mix)
30s preview
- BPM
- 127
- Open Key
- 6m
- Energy
- 86/100
- Pop
- 14/100
- Length
- 6:37
- Released
- 2016
- Genre
- Techno
- Loudness
- -13.1 dB
- Dynamics
- 8.9 dB
- ISRC
- NLCK41030077
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Rotar (original mix): peak-time tempo techno, A♭ minor (1A), 127 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More bass-heavy than 98% of Oscar Mulero's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 88% of Oscar Mulero's catalogue
- Groove:
- groovier than 82% of Oscar Mulero's catalogue
- Tempo:
- slower than 78% of Oscar Mulero's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 54%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Rotar (original mix) in?
Rotar (original mix) by Oscar Mulero is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Rotar (original mix)?
Rotar (original mix) runs at 127 BPM, a peak-time tempo track.
What mixes well with Rotar (original mix)?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Rotar (original mix) good for peak time?
With energy 86 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 127 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
