Funkarrone
30s preview
- Key
- 8A · A minor
- BPM
- 124
- Open Key
- 1m
- Energy
- 90/100
- Pop
- 6/100
- Length
- 5:58
- Released
- 2017
- Album
- Flow
- Genre
- Tech House
- Label
- Stereo Productions
- Loudness
- -7.9 dB
- Dynamics
- 11.1 dB
- ISRC
- ES7841722402
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Funkarrone - Carlo Lio Remixremix10A · 128
A club-tempo tech house cut, Funkarrone sits in A minor (8A) at 124 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2017 production that still circulates in sets. Slower than 90% of Oscar L's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 85% of Oscar L's catalogue
- Reach:
- better known than 76% of Oscar L's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Funkarrone in?
Funkarrone by Oscar L is in A minor, or 8A on the Camelot wheel.
What BPM is Funkarrone?
Funkarrone runs at 124 BPM, a club-tempo track.
What mixes well with Funkarrone?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Funkarrone good for peak time?
With energy 90 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 124 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Oscar L
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
