Mafioso - Radio Edit
30s preview
- Key
- 8A · A minor
- BPM
- 126
- Open Key
- 1m
- Energy
- 73/100
- Pop
- 10/100
- Length
- 3:41
- Released
- 2013
- Album
- No Saint Out Of Me
- Genre
- Trance
- Loudness
- -7.4 dB
- Dynamics
- 9.9 dB
- ISRC
- NLF711307810
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mafioso - Mark Sixma Remixremix10B · 128
- Mafioso - Mark Sixma Remixremix10A · 128
- Mafioso - Extended Mixversion9A · 126
Mafioso - Radio Edit runs 126 BPM in A minor (8A), a club-tempo trance record. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. More bass-heavy than 97% of Orjan Nilsen's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 95% of Orjan Nilsen's catalogue
- Tempo:
- slower than 94% of Orjan Nilsen's catalogue
- Brightness:
- darker than 77% of Orjan Nilsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Mafioso - Radio Edit in?
Mafioso - Radio Edit by Orjan Nilsen is in A minor, or 8A on the Camelot wheel.
What BPM is Mafioso - Radio Edit?
Mafioso - Radio Edit runs at 126 BPM, a club-tempo track.
What mixes well with Mafioso - Radio Edit?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Mafioso - Radio Edit good for peak time?
With energy 73 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 126 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More trance
More from Orjan Nilsen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.