Somewhere on the Edge - Oliver Schories Remix
30s preview
- BPM
- 124
- Open Key
- 3m
- Energy
- 51/100
- Pop
- 8/100
- Length
- 5:57
- Released
- 2025
- Album
- Somewhere on the Edge (Oliver Schories Remix)
- Genre
- Tech House
- Loudness
- -9.3 dB
- Dynamics
- 10.9 dB
- ISRC
- QZZEC2474264
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Somewhere on the Edge - Oliver Schories Remix runs 124 BPM in B minor (10A), a club-tempo tech house record. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 88% of Oliver Schories's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 79% of Oliver Schories's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Somewhere on the Edge - Oliver Schories Remix in?
Somewhere on the Edge - Oliver Schories Remix by Oliver Schories is in B minor, or 10A on the Camelot wheel.
What BPM is Somewhere on the Edge - Oliver Schories Remix?
Somewhere on the Edge - Oliver Schories Remix runs at 124 BPM, a club-tempo track.
What mixes well with Somewhere on the Edge - Oliver Schories Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Somewhere on the Edge - Oliver Schories Remix good for peak time?
With energy 51 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Oliver Schories
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
