Aduna - Oliver Schories Remix
30s preview
- BPM
- 121
- Open Key
- 7m
- Energy
- 55/100
- Pop
- 0/100
- Length
- 6:21
- Released
- 2021
- Album
- Aduna (Oliver Schories Remix)
- Genre
- Tech House
- Loudness
- -8.7 dB
- Dynamics
- 18.2 dB
- ISRC
- DEQ022119161
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Aduna - Oliver Schories Remix runs 121 BPM in E♭ minor (2A), a club-tempo tech house record. It reads as balanced in mood. The groove is strong and floor-ready. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 18 dB). More underground than 99% of Oliver Schories's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more treble-tilted than 97% of Oliver Schories's catalogue
- Brightness:
- brighter than 92% of Oliver Schories's catalogue
- Tempo:
- slower than 90% of Oliver Schories's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Aduna - Oliver Schories Remix in?
Aduna - Oliver Schories Remix by Oliver Schories is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Aduna - Oliver Schories Remix?
Aduna - Oliver Schories Remix runs at 121 BPM, a club-tempo track.
What mixes well with Aduna - Oliver Schories Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Aduna - Oliver Schories Remix good for peak time?
With energy 55 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 121 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More tech house
More from Oliver Schories
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
