We Are All Lost - Nico Stojan Remix
30s preview
- Key
- 7B · F major
- BPM
- 123
- Open Key
- 12d
- Energy
- 79/100
- Pop
- 16/100
- Length
- 7:04
- Released
- 2020
- Album
- Fire in the Jungle Remixed
- Genre
- Tech House
- Loudness
- -12.2 dB
- Dynamics
- 12.9 dB
- ISRC
- DEUE22057253
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Are All Lostoriginal10B · 123
Against the original (10B at 123 BPM), this version holds the same tempo and moves the key from 10B to 7B.
At 123 BPM in F major (7B), We Are All Lost - Nico Stojan Remix is a club-tempo tech house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Less groove-driven than 83% of Oliver Koletzki's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 81% of Oliver Koletzki's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is We Are All Lost - Nico Stojan Remix in?
We Are All Lost - Nico Stojan Remix by Oliver Koletzki is in F major, or 7B on the Camelot wheel.
What BPM is We Are All Lost - Nico Stojan Remix?
We Are All Lost - Nico Stojan Remix runs at 123 BPM, a club-tempo track.
What mixes well with We Are All Lost - Nico Stojan Remix?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is We Are All Lost - Nico Stojan Remix good for peak time?
With energy 79 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 123 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Oliver Koletzki
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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