Die Dunkle Biene
30s preview
- BPM
- 123
- Open Key
- 3d
- Energy
- 79/100
- Pop
- 31/100
- Length
- 7:46
- Released
- 2023
- Genre
- Tech House
- Label
- Ritter Butzke Records
- Loudness
- -8.4 dB
- Dynamics
- 15.8 dB
- ISRC
- DEY472370299
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Die Dunkle Biene (Robag Wruhme Remix)remix10B · 128
- Die Dunkle Biene - Stimming Remixremix10B · 123
- Die Dunkle Biene - Robag Wruhme Remixremix10B · 128
Die Dunkle Biene: club-tempo tech house, D major (10B), 123 BPM. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 16 dB). More treble-tilted than 96% of Dominik Eulberg's catalogue. In a set it works best as a floor-filler.
- Reach:
- better known than 93% of Dominik Eulberg's catalogue
- Energy:
- hotter than 87% of Dominik Eulberg's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 21%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Die Dunkle Biene in?
Die Dunkle Biene by Dominik Eulberg is in D major, or 10B on the Camelot wheel.
What BPM is Die Dunkle Biene?
Die Dunkle Biene runs at 123 BPM, a club-tempo track.
What mixes well with Die Dunkle Biene?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Die Dunkle Biene good for peak time?
With energy 79 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 123 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Dominik Eulberg
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
