Die Dunkle Biene - Stimming Remix
30s preview
- BPM
- 123
- Open Key
- 3d
- Energy
- 85/100
- Pop
- 7/100
- Length
- 3:31
- Released
- 2023
- Album
- Die Dunkle Biene (Stimming Remix)
- Genre
- Tech House
- Loudness
- -9.6 dB
- Dynamics
- 8.6 dB
- ISRC
- DEY472378429
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Die Dunkle Bieneoriginal10B · 123
- Die Dunkle Biene (Robag Wruhme Remix)remix10B · 128
- Die Dunkle Biene - Robag Wruhme Remixremix10B · 128
Against the original (10B at 123 BPM), this version holds the same tempo in the same key.
Die Dunkle Biene - Stimming Remix runs 123 BPM in D major (10B), a club-tempo tech house record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 93% of Dominik Eulberg's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 80% of Dominik Eulberg's catalogue
- Brightness:
- darker than 76% of Dominik Eulberg's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Die Dunkle Biene - Stimming Remix in?
Die Dunkle Biene - Stimming Remix by Dominik Eulberg is in D major, or 10B on the Camelot wheel.
What BPM is Die Dunkle Biene - Stimming Remix?
Die Dunkle Biene - Stimming Remix runs at 123 BPM, a club-tempo track.
What mixes well with Die Dunkle Biene - Stimming Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Die Dunkle Biene - Stimming Remix good for peak time?
With energy 85 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 123 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
![Exito [Nenahalena remix] by Yulia Niko cover art](https://i.scdn.co/image/ab67616d00001e02206f82d255d4726e4e335e8b){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
